| 1 | Doyle Hud’s Two Step | 5:17 | |
| 2 | The Stoic | 5:38 | |
| 3 | Deep Pools | 6:21 | |
| 4 | Velocity | 4:26 | |
| 5 | Interlude | 2:52 | |
| 6 | Waxing and Waning | 5:52 | |
| 7 | Pebbles | 7:37 | |
| 8 | Meet Me At Sal & Angies | 4:17 | |
| 9 | The Hammer | 5:09 |

Credits
Acoustic Bass – Chris Colangelo
Alto Saxophone – Nicole McCabe
Composed By – Mark Masters
Drums – Kendall Kay
Engineer – Talley Sherwood
Executive Producer – Mark Masters, Thomas Burns
French Horn – John Dickson
Mastered By – David Glasser
Photography – Joe Masters
Piano – Jeffrey Colella
Tenor Saxophone, Soprano Saxophone – Jerry Pinter
Trombone – Dave Woodley
Trumpet – Tim Hagans
It was nearly fifty years ago that a teenage Mark Masters, then an aspiring young jazz trumpeter, first encountered the sound of trumpeter-flugelhornist Tim Hagans, who was playing in the Stan Kenton orchestra. Over the years, as Masters evolved into one of the most acclaimed composer-arrangers of his generation, he collaborated frequently with Hagans and came to know him as a singular talent. “Tim is a true original,” Masters says. “He’s developed his own harmonic language, which not many people have done. The term ‘sui generis'”–a Latin phrase meaning “one of a kind”–“absolutely applies to him.” Indeed, Sui Generis, is an album-length showcase for the trumpeter, placing him front and center of the composer’s own idiosyncratic Mark Masters Ensemble. Originally conceived as featuring Hagans within a showcase of jazz standards, the project evolved into what Masters now calls “a kind of a concerto for chamber orchestra.”
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